Sun. Oct 2nd, 2022

Abhilash S. Kumar’s debut film, starring Sreenath Bhasi, tells an intriguing story a few violent man’s final days, however leaves pretty a bit unexplained

Abhilash S. Kumar’s debut film, starring Sreenath Bhasi, tells an intriguing story a few violent man’s final days, however leaves pretty a bit unexplained

The destiny which might befall the protagonist of Chattambi is thought to us proper from the opening shot of Kariah’s (Sreenath Bhasi) bloodied physique. It raises intriguing questions with regard to the chain of occasions which might have led to his violent dying. The voices from people throughout the locality inform us that he had it coming for pretty a whereas, whereas a pair of others sound relieved that he is lastly gone. A nun, who seems to have been shut to his household, tells us that the larger society by no means understood him correctly.

This gadgets up the prospect that he might want had some redeeming qualities in any case, and the background story of how Kariah started to have that violent streak additionally supplies to these expectations. Chattambi then rewinds again to occasions from a pair of months again, and progressively comes nearer to the day of his dying. but, even on his final day, the one factor that’s lacking is that redeeming extreme quality, as he actually seems to be a very tough and unlikeable character.


Director: Abhilash S. Kumar

Starring: Sreenath Bhasi, Chemban Vinod, Grace Antony, Mythili, Binu Pappu

Runtime: 122 minutes

Storyline: Follows the life and dying of Kariah, a henchmen with a violent streak

Abhilash S. Kumar’s directorial debut Chattambi, scripted by Alex Joseph and based mostly on a narrative by Don Palathara, is about this man and the society round him. They comprise these who use his villainy for his or her ends and utterly different people who detest him, typically being victims of his cruelty. Kariah is likely one among many two henchmen working for the native moneylender John Muttattil (Chemban Vinod). although John protects him from the police each time he will get into trouble, there is a boiling rage inside him on the best method he is being appeared down upon by his boss. it is solely a matter of time earlier than all of it bursts out inside the open.

The setting inside the extreme ranges lends itself to the sombre temper of the film, with the managed tempo of the narrative including to it. regardless of starting the proceedings with the protagonist’s homicide, the film by no means lays all of the playing cards on the desk. Going by the quantity of people he has rubbed the incorrect method, one would not simply get to guess who might want accomplished the act, although the film is simply unlikely about this thriller in any respect. it is considerably focussed on some deep character research. John’s spouse Cicily (Grace Antony) is largely the most intriguing of all of them, collectively with her silent rage at her husband’s methods.&#thirteen;

On many an event, with some clever staging of the scenes, the director achieves the supposed impression with out displaying us all of the disagreeable particulars. in a single such sequence, Kariah, the ruthless restoration agent, is proven strolling proper into a defaulter’s residence, whereas his weak-minded companion baby (Binu Pappu) stays exterior. For all of the time, the digital camera stays with baby, as we hearken to the screams of ladies and males from contained in the residence. The scene ends with Kariah strolling out and handing over a gold chain to baby, who silently areas it contained in the jeep, in a mechanical movement, as if he has grown used to all of it.

however, the film leaves one with a sense that the protagonist’s character might have been developed further, as amongst the numerous causes for his uncontrollable rage are left unexplained. So is the want for revenge in opposition to his boss. Chattambi is a effectively-crafted work that unhurriedly reveals a violent man’s final days.

Chattambi is at present working in theatres


Leave a Reply

Your email address will not be published.